Begum Akhtar, Vijaya Mehta, and the resident of Neelam Manzil, Grant Road
In her Marathi autobiography Zimma (2012), noted theatre director Vijaya Mehta shares a vivid memory. When Mehta was preparing to direct Anil Barve’s play...
In her Marathi autobiography Zimma (2012), noted theatre director Vijaya Mehta shares a vivid memory. When Mehta was preparing to direct Anil Barve’s play...
गोव्यातल्या शापोरा किल्ल्याचं ‘दिल चाहता है फोर्ट’ असं अनौपचारिक नामांतर होऊन जवळपास दोन दशकं उलटली आहेत. पोर्तुगीज काळात बांधलेला हा समुद्रतटावरचा किल्ला आज त्...
What makes ‘Sairat’ realistic is the forthright manner in which it highlights the routine violence of caste and patriarchy. Have we ever bothered to think why t...
The libtard sickular filmmakers in Versova are at it again. Their hatred for Hindu Culture has been always evident from their unwanted and immoral films that ha...
Modi, in his speech today at Mumbai, made an interesting remark “Given that I am in the land of films, I have to point out another thing, So many films ar...
Pan Nalin is one of my favorite director and I particularly love the way he films and visualizes vast landscapes and creates a beautiful narrative through a min...